Get to Know an Agent in Attendance: Lee Melillo of Dunham Literary

Lee Melillo is a literary agent with Dunham Literary.

Lee  (they/she) joined Dunham Literary, Inc. in May 2024 as Jennie Dunham’s assistant, following an internship with Dystel, Goderich, & Bourret LLC. She was made an Associate Literary Agent in June 2025. Lee additionally manages the agency’s social media and website, is a second-reader for queries, handles royalty statements and permissions, and assists on preparing submissions.

Lee graduated summa cum laude from Fordham University in 2022, with departmental honors in English and Theatre Directing. Through her majors, Lee discovered her passion for advocating for writers. She believes literature is one of the most effective ways to gain empathy for and understanding of life experiences outside our own.

Originally from New Haven, Lee now resides in Queens with her cats/office assistants, Meatloaf and Muffin Man. Lee maintains her love of theatre as the Executive Artistic Director of Personal Pizza Party, an indie production company, and by performing full renditions of musical theatre classics on the glorious stage of her shower.

You can find Lee on Instagram and Bluesky at @leemelillobooks.

What Lee’s Seeking:

Lee represents YA, New Adult, and Adult Fiction written by, for, and about marginalized communities (#OwnVoices) in both commercial and upmarket categories. She looks for high-concept plots, atmospheric prose, and well-drawn universes with commercial hooks that can reel in a wide range of readers and subsequently deliver well-executed, memorable reading experiences on the sentence level. She appreciates elements of mystery or suspense, especially in historical settings; big-hearted, accessible reads that center platonic and/or romantic relationships; and sharp, weird senses of humor that appeals to a generation of readers raised online.

In Adult Fiction, Lee is searching for book club and upmarket fiction from BIPOC women, neurodiverse, and queer authors. She’d like contemporary fiction exploring complex issues that have both personal and societal implications; eclectic rom-coms with strong plots and unique hooks; ensemble-casts, ideally of women and/or queer folk; or cozy slice-of-life centered around a community space. She is also open to contemporary or historical fiction centered around myth (but NOT Greek/Roman/Norse!!), either through retellings of classics or the invention of new mythologies for the modern age; dark magical realism; bubblegum thrillers; and socially-conscious horror.

In Young and New Adult Fiction, Lee looks for YA that has crossover potential and NA stories set in college or directly post-grad. Her taste in these categories is broad, but she’s mostly looking for stories her 15-year-old self would’ve dedicated a tumblr blog to. Diversity is a must, as are well-developed, loveable (or love-to-hateable) characters. She enjoys meticulously-researched, atmospheric historical fiction with an element of mystery/suspense or other propulsive plot engines. She also loves dystopian fiction, but it must be grounded in real life issues and critique our present-day socio-political systems. For contemporary fiction, she’s open to stories centering queer characters, characters with mental illness and particularly OCD, or rom-com heroines with autism in interesting, off-beat settings.

Lee does NOT currently represent picture books, middle grade, graphic novels, or non-fiction/memoirs of any kind. Lee is also not generally a fan of: Erotica; high fantasy or space operas; very literary stories or any stories that lack high-concept hooks, anything military/police/modern politics; European/American WW1 or WW2 stories; Greek/Roman/Norse mythology; British historicals (especially Regency Era); most sports; AI-centric sci-fi; stories about gang life or the mafia; explicit depictions of sexual assault, self-harm/suicide attempts, eating disorders, or violent cruelty towards people or animals; or anything where a pet dies.

Get to Know an Agent in Attendance: Thais Afonso of Azantian Literary Agency

Thais Afonso is a literary agent with Azantian Literary Agency.

Thais has eight years of experience in publishing between Brazil, China, and the United States. More recently, she interned at Writers House, where she honed her skills while supporting the desks of Amy Berkower and Johanna Castillo, and she was mentored by Jennifer Azantian before stepping up to the Associate Agent role at ALA.

She intends to represent marginalized authors, and she’s especially seeking to uplift indigenous voices and voices from the Global South.

WISHLIST:

Thais is looking to represent Fantasy, Sci-Fi, Horror, Contemporary Romance, and Suspense/Thrillers. She’s particularly keen on growing her contemporary and horror list right now, so if you have a project that doesn’t have any of her triggers and hard ‘no’s, send it to her! Even if it doesn’t a match an item in the wish list. She very much welcomes surprises here (again, as long as there are no elements from her anti-MSWL).

ADULT FICTION:

In Horror, she’s still looking for lesbians, lesbians, lesbians. Plus, the unsettling, the Gothic, folkloric horror, horror mixed with fantasy or romance, and all the social horror.

She would especially love vampire horror, like House of Hunger and Our Share of Night, or anything borderline Literary but super weird, like Our Wives Under the Sea and Chlorine. She’s also seeking space horror: anything that could be comped to Alien: Romulus or Ghost Station, and anything underwater. She would love a deep ocean first contact horror!! Lastly, while she’s also not big on gore, she would love to see some gory body horror in the vein of The Substance.

In Suspense and Thrillers, she’s looking for anything pacey, tense, and completely unrelated to law enforcement. Anything that could be comped to Jane Pek’s The Rivals, Liz Moore’s The God of the Woods, Freida McFadden’s The Crash, and Kashana Cauley’s upcoming The Payback would be a plus. She’s also still eagerly seeking lesbian thrillers, especially anything that could be pitched as Master of the House, but lesbian. She’s also still looking for anything that could be pitched as BIPOC Dan Brown (meaning that same formula, but with different themes and relationships between the characters and the world).

In Contemporary Romance, she’s ever eager to sign queer authors, and especially lesbians of color like her. She’s mostly seeking single-title romance dramas and rom-coms with character arcs that have a lot of depth. If you can comp your book to Emily Henry, Tia Williams, Alison Cochrum, B.K. Borison, Kennedy Ryan, Jessica Joyce, Ashley Herring Blake, or Abby Jimenez, it’ll probably appeal to her. In sports romance, she’d love a rivals-to-lovers, queer romance. And as a Brazilian, she’d grew up watching F1 and as niche as that is, would love a romance with a Brazilian pilot trying to live up to Senna’s legacy.

All of that said, she’s still actively growing her science fiction & fantasy list.

In Sci-Fi, she gravitates towards fun and snappy romps like Murderbot, but she would also love to see stories that tackle Global North interventionism in the Global South, and subversions of Global North competency being the norm—think Monarch from the perspective of a civilian in the Global South instead of an agent of an uber secretive and authoritarian GN agency, or anything you’d comp to Nnedi Okorafor. She also enjoys cyberpunk, solarpunk, and silkpunk (though she’s removed those categories from her form to streamline her tags, she still wants those!). Anti-capitalism continues to be welcomed and appreciated.

She’s looking for almost all sub-genres of Fantasy, except Grimdark and Military. She’s keen on anti-colonial Epics, High-Fantasy set in the Global South, retellings of Global Majority Myths, Sci-Fi Fantasies in the vein of Arcane, and historicals that feels almost Second World, like Siren Queen.

She also loves cozy, whimsical stories, like The Very Secret Society of Irregular Witches or the Emily Wilde series, and would love anything that can be comped to The Spellshop or The Teller of Small Fortunes as well.

She’s especially looking for steamy Romantasy at this time, as that’s a gap in her list. BIPOC Romantasy, in particular, is something that she’s super hungry for. I’d love to see worlds inspired by different takes on Fae and Vampires, or just different worlds altogether as the backdrop to a super spicy romance. She’s on taking on indie authors who want to transition to trad or have a hybrid career, especially again, indie BIPOC authors in Romantasy.

YOUNG ADULT:

In YA, she’s currently open to Fantasy, Sci-Fi, Horror, and Speculative Mysteries/Thrillers. She’s predominantly interested in anything with a speculative bent. She’s also especially keen on championing Queer voices in this space, especially BIPOC Queer voices.

She’s also super keen on building a horror list in the category. If you can comp your manuscript to Justina Ireland, Krystal Sutherland, Jamison Shea, C.G. Andrews, Trang Thanh Tran, Andrew Joseph White, Courtney Gould, Tiffany D. Jackson, Vincent Tirado, or Kalynn Baron, she’d love to see it.

She’s still actively and enthusiastically seeking YA SFF, she’s just really hungry for horror right now.

In SFF, she’s always on the look-out for Global South authors, especially when it comes to stories about oppression. In Sci-Fi, she’s looking for anything fun. Epic adventures in space, dark academia in space, anything that feels like anime. She still loves anti-capitalist and anti-colonialist themes here, but she’s not a great fit for heavy dystopia or post-apocalyptic stories in YA either.

In Fantasy, she’s specially looking for crossover titles, and if there’s a competition, she’ll probably love it, unless it’s a marriage competition. She’s not the best fit for those in YA. On the very specific wish list item spectrum, she would love something that feels like Alwyn Hamilton’s Notorious Virtues. She’s also seeking a crossover YA/NA high-concept romantasy, something that puts a new twist on beloved tropes, or sets a familiar love story in an original, lush world, like Divine Rivals.

In Mystery/Thrillers, give her anything that would crossover into horror because of supernatural elements. Anything you’d comp to Invocations, for example. She’d also love to see a speculative take on a story similar to The Reappearance of Rachel Price.

Across all genres, Thais is especially interested in intersectionality. She wants to sign working class, Queer, BIPOC, disabled authors, and is keen on supporting authors whose marginalization intersect with other marginalizations, as she knows the paths to success in this industry get more limited if you have an intersectional identity.

She’s very keen on indigenous stories across age categories and in all genres—To Shape a Dragon’s Breath, Elatsoe, and Firekeeper’s Daughter are recent favorites, but she wants stories that don’t match any comps too. Thais especially wants to represent Global South authors. As someone born and raised and based in Brazil, Thais seeks to put Global South stories front and center, as she believes those voices are more needed than ever. She’s also, in both age categories and across all genres, committed to supporting Palestinian authors, whenever they are ready and able to share their stories—she’s always open to queries for Palestinian authors.

She is a fan of:

Dark Academia from Global South writers, and Black and Indigenous writers in the Global North.

A high-drama, high-stakes romance that feels like a K-Drama. Think Crash Landing on Love or Tastefully Yours.

A queer rival-to-lovers sports romance.

Anything with a complicated, decades-long (or even centuries long if Fantasy/Paranormal) lesbian situationship at the core of the story. I specially welcome Siuan/Moiraine fanfiction at this difficult time.

I prefer my spice on the kinkier side, and I would really love to find a romantasy with consensual, sex-positive, queer-friendly (gender essentialist language is a big no for me) BDSM. Authors with deep knowledge of kink beyond D/s and light dirty talking will definitively have me picking up that manuscript so fast.

I would especially love to find a sapphic romantasy on the fun, smutty side. Something with an indie flavor. Think Sierra Simone’s The Fae Queen’s Captive.

I’m still looking for a BIPOC vampire horror with social commentary. Anything in the vein of The Wicked and The Willing or Sinners. I’d love vampires from BIPOC authors in general, actually. Even if it’s not social horror, send it to me.

In Thrillers, I’m still looking for anything that could described as BIPOC Dan Brown.

Body horror!

She does NOT want:

Military SFF, Literary Fiction, and non-speculative Historical Fiction in any age category.

Cops (MCs in law-enforcement/intelligence work is usually an easy pass for me).

Positive spins on war, Monarchy, colonization, or genocide (in general, I usually shy away from main characters who are soldiers or warriors or Monarchs).

Zionist and imperialist propaganda.

Racist, queerphobic, Islamophobic, and anti-semitic tropes.

Mafia books.

Dark romance or romance with any sort of dubious consent.

Enemies to lovers where the enmity comes with major power imbalance and/or any form of systemic oppression, and relationships that involve indenture and debts that need to be repaid.

Books about Indigenous people if you’re not a culturally connected member of those Indigenous communities. That specially applies to Indigenous Brazilians, as I’m proud to see my country shifting away from appropriated Indigenous stories being repacked as folklore and ‘good savage’ narratives that have only caused harm.

Get to Know an Agent in Attendance: Hunter Strickland of Focused Artists

Hunter Strickland is a literary agent with Focused Artists.

Hunter, a member of the Cherokee Nation, has always had many passions in life, one of them being books, which has led her here!
Bio

Hunter joined Focused Artists as a junior agent in 2024 after completing an apprenticeship with Co-founder Kristina Sutton. She previously held assistant roles at the Oklahoma Hall of Fame at the Gaylord Pickens Museum for publishing and editing. During her time there she developed a background working with historical non-fiction.

Hunter’s list of interests are just as extensive as her background. While she has previous experience in the sports world and historical nonfiction, she is also drawn to fantasy worlds with unique elements.

Hunter is currently seeking: Hunter is currently seeking: fantasy, romance, historical fiction, women’s fiction, young adult, new adult. Hunter is particularly drawn to anything mythology based or inspired.

Get to Know an Agent in Attendance: Shelly Romero of Azantian Literary Agency

Shelly Romero is a literary agent with Azantian Literary Agency.

Shelly began her publishing career in 2017 at Scholastic where she rose up the ranks from editorial assistant to associate editor, where she acquired her own titles and assisted on series publishing for The Bad Guys and Goosebumps. She later joined Cake Creative as Lead Editor and she was most recently a freelance editor. She graduated from Stephens College with a bachelor’s degree in English and attended the 2017 NYU Summer Publishing Institute. Shelly was selected as a 2020 Publishers Weekly Star Watch Honoree and is a member of Latinx in Publishing & People of Color in Publishing. Born and raised in Miami by Honduran parents, she now resides in New York City where she might be found at a movie theatre viewing the latest release from her Letterboxd watchlist.

She is seeking:  science fiction; speculative fiction; horror (almost all subgenres & especially for all age categories); Honduran authors; stories by Latine/x authors from Central America and the Caribbean (including Afro-Latine & Indigenous Latine stories); playing with formatting such as mixed-media & epistolary novels that give the story a “found footage” type of vibe; anything comped to Guillermo del Toro, David Cronenberg, Clive Barker, John Carpenter, or Wes Craven; Catholic horror; gothic romance; grounded fantasy (comps to: NINTH HOUSE & HELL BENT by Leigh Bardugo; THE WITCHERY by S. Isabelle; A DISCOVERY OF WITCHES by Deborah Harkness; & LEGENDBORN by Tracy Deonn); midwestern gothic; southern gothic; vampires; Jewish stories especially if they are intersectional with BIPOC and/or queer characters; thrillers/mysteries (with non-cop protagonists); commercial fiction; slice-of-life a la One Tree Hill, OG Gossip Girl, The Sandlot, Real Women Have Curves, What We Do in the Shadows; historical fiction set during: Regency, Edwardian, & Victorian eras; post-WWII; 80s – 00s…but featuring BIPOC and/or queer characters; adult erotic fiction, especially featuring BIPOC and/or LGBTQIA characters in kink spaces; set during college and non-college bound post-high school.

She is NOT seeking: books over 100K words; picture books, chapter books, or graphic novels & nonfiction books; epic/high fantasy; second-world fantasy; cozy fantasy; military fantasy; historical fantasy; historical fiction set during WWII; stories featuring: Nazis; ICE; republicans; cops/detectives; Zionists; military; deportation; “clean teen”; antebellum era and/or plantation settings; novels-in-verse; cozy “horror”; stories comped to the MCU/DCU; anything AI/android related; thinly veiled billionaire antagonists; westerns; BIPOC women who are being trafficked; murdered; honor killed; etc.; super gritty dramas; comped to John Grisham, James Patterson, Colleen Hoover, Dean Koontz.

Get to Know an Agent in Attendance: Renee Runge of Spencerhill Associates

Renee Runge is a literary agent at Spencerhill Associates.

A South Florida native, she earned her B.A. in English from the University of Florida in 2021 before moving to Boston, where she completed both an M.A. in Children’s Literature and an M.F.A. in Writing for Children from Simmons University in 2024. During grad school, she interned at Red Fox Literary and served as Graduate Fellow for The Horn Book during its centennial year, then spent a year as an assistant at Spencerhill.

Her academic research background uniquely equips her to advocate for books that not only resonate with readers but also contribute meaningfully to the broader conversation about the evolution of the children’s literature field.

She is actively building her list in all genres of middle grade and young adult fiction. Her taste can be summed up as “eclectic,” and she is drawn to high-concept commercial projects with a literary aura, unexpected hooks, strong A/B plots, and distinct voices. She’s especially passionate about supporting diverse and underrepresented creators from all backgrounds, with the hope that every child can one day see themselves in the pages of a book. A lover of anthropomorphic characters, she dreams of repping the next blockbuster animal novel or series. Her favorite feeling is being moved to tears by a book’s last chapter.

When not reading, Renee enjoys blasting music, playing with her pets, volunteering for her favorite causes, and collecting all kinds of ephemera. Find her on Twitter at @rrreadsbooks, BlueSky at @reneerunge.bsky.social and on Instagram at @reneerungelit.

Get to Know a Literary Scout in Attendance: Erika Staiger of Spencerhill Associates

Erika Staiger is a literary assistant with Spencerhill Associates. She is acting as a literary scout for her agency at the 2025 Orlando event.

On behalf of her co-agent, Erika is scouting for commercial fiction — new women’s fiction, romance, historical fiction, thrillers and horror. She is seeking exciting new voices that utilize elements of different genres to tell their story.

Erika  re-joined Spencerhill as an assistant following a semester-long internship in 2018. She holds an MFA in Fiction from the University of South Florida, where she also taught creative writing and worked as a writing tutor. After graduation, she worked in higher education at the University of Central Florida and as a trivia writer for Rez Events. At Spencerhill, Erika is primarily responsible for reading and responding to query submissions. Her greatest ambition in life is to turn her house into the library from Beauty and the Beast. While she reads a wide variety of genres, some of her favorites are fantasy, romance, and historical fiction centered on the lives of women. She lives in Orlando with her husband and their three pets, a cat, a chihuahua, and a geriatric rabbit.

Get to Know an Agent in Attendance: Victoria Harris of The Caldwell Agency

Victoria Harris (they/them/theirs) is a literary agent with The Caldwell Agency.

Victoria has worked in the publishing industry for over 6 years on the editorial side of things. In their downtime, they like to write fiction (currently working on a novel about queer love) and perform with their band (Late Stage Dirtbags). Victoria lives in Southern California with their chosen family: their wife, one of their best friends, and their 5-pound chihuahua, Bug.

“I’m primarily seeking adult literary and upmarket fiction, particularly stories that feature LGBTQ+ and BIPOC characters. I’m also open to literary-leaning queer romance, soft sci-fi, and historical fiction set in the recent past. When it comes to nonfiction, I’m interested in memoirs.”

Things she is drawn to in stories:

LGBTQ+ characters
BIPOC characters
mentally ill characters
neurodivergent characters
chronically ill and physically disabled characters
characters who’ve had difficult childhoods
characters who are repressed
characters who’ve felt like an outsider for their whole life
chosen family
friends to lovers
pining
late-stage coming of age stories
dysfunctional family dynamics

Her favorite contemporary authors and their books that drew them in:

Ocean Vuong, On Earth We’re Briefly Gorgeous
Elaine Castillo, America Is Not the Heart
Paul Mendez, Rainbow Milk
Ling Ma, Severance
Kazuo Ishiguro, Klara and the Sun
Chinelo Okparanta, Under the Udala Trees
NoViolet Bulawayo, We Need New Names
Nicole Dennis-Benn, Here Comes the Sun
Carmen Maria Machado, In the Dream House
Maggie Nelson, The Argonauts

Get to Know an Agent in Attendance: Syrone Harvey of Belcastro Agency

Syrone Harvey is a literary agent at Belcastro Agency and also a children’s book author.

In Adult, YA and Middle Grade Fiction, she is eagerly seeking diverse, underrepresented voices and perspectives, stories with strong, distinct and multi-dimensional characters, compelling stories of friendships, coming-of-age, emotional angst, family saga. Throw in a little fun, adventure, humor, edginess and stories that are overall engaging. In Children’s she is seeking books filled with humor, whimsy, are heartfelt, offer make-me-giggle storytelling, and absolutely crazy fun. Areas of interest- BIPOC Literature, Book Club, Children’s, Commercial, Contemporary, Family Saga, General, Humor, Literary, Middle Grade, New Adult, Picture Books, Inspiration, Romance, Romcom, Women’s Fiction, and Young Adult.

With an eclectic background in publication, editorial services, and project management, Syrone is dedicated to supporting authors at every step of their writing journey. Syrone is on a mission to be the ultimate "bookend" for authors, providing them with the personalized support they need to shine at every stage of their literary journey. But Syrone’s love for literature isn’t just professional—it’s personal. As a published author, she knows the sheer joy of crafting a story that touches the soul. To her, books aren’t just objects; they’re the means to transport readers to new experiences and perspectives.

With her sharp editorial eye and a keen sense for market trends, Syrone is the ultimate guide for authors navigating the ever-changing landscape of publishing. Whether it's guiding debut novelists or supporting seasoned writers seeking a new direction, she is passionate about building long-lasting relationships with her clients. She takes a patchwork quilt approach with her authors—every story is unique and one-of-a-kind. She will walk the literary journey with enthusiasm, expertise, and a shared commitment to bringing exceptional stories to readers worldwide.

She lives in Southern California with her husband, a chatty parrot and a lively fur baby.

Get to Know an Agent in Attendance: Alexandra Grana of P.S. Literary

Alexandra Grana is a literary agent with P.S. Literary.

Alex is a recent graduate of the University of Toledo College of Law. She has always loved writing and literature, having completed her B.A. in Professional Writing at Miami University, and is excited to dedicate herself to helping fellow writers pursue publication. When she isn’t reading, she can be found trying a new recipe in the kitchen or prepping for her next DnD session.

Alex’s favorite genres are fantasy and horror. She is a sucker for a good magic system, reimagined fairy tales, and poetic prose. Stories by marginalized writers are of particular interest to her.

Young Adult and Adult wishlist:

Fantasy and Magical Realism, second world or contemporary, that are inventive and atmospheric
Literary Horror featuring body horror, religious themes, and feral girl protagonists
Literary and Upmarket fiction with a speculative edge, the weirder the better
Speculative and Solarpunk Science Fiction exploring our relationship to our environments
Mysteries and Thrillers featuring experimental voices and complex characters
Historical fiction primarily focused on marginalized experiences, from queer and BIPOC perspectives to exploring class structures and anticolonialism
Evocative, lush gothic stories of all kinds

Middle Grade wishlist:

Scary stories that keep you up at night
Themes of self discovery and found family
Fantasies reminiscent of Spirited Away or inspired by folklore

Nonfiction wishlist:

Occult History/Mysteries
Narratives about religious deconstruction

Alex is not looking to acquire space operas, historical fiction about war, or procedural thrillers.

Books Alex Loves:

Tender is the Flesh by Agustina Bazterrica
Starling House by Alix E. Harrow
Legendborn by Tracy Deonn
Six of Crows by Leigh Bardugo
The Bear and the Nightingale by Katherine Arden
The Paying Guests by Sarah Waters
House of Hunger by Alexis Henderson
Witchlings by Claribel A. Ortega
Small Spaces by Katherine Arden

Get to Know an Agent in Attendence: Jessica Larios-Zarate of Wave Literary

Jessica Larios-Zarate is a literary agent with Wave Literary (formerly with Savvy Literary.)

Jessica is a graduate of U.C. Berkeley where she earned a B.A. in English. She is passionate about uplifting stories by authors with marginalized voices and intersectional identities.

In regards to fiction, Jessica gravitates towards: commercial fiction, contemporary upmarket fiction, literary fiction, mystery/thrillers, and speculative fiction. She is particularly invested in stories that feature LGBTQIA+, BIPOC, neurodivergent, and/or disabled protagonists, especially when the books are not issue-driven. As for nonfiction, Jessica is interested in: narrative nonfiction and historical nonfiction.

In terms of historical nonfiction, she seeks: Ancient History, Historical Expeditions, Civil Rights Movements, and Indigenous History Books; no War History, please.

Jessica is an eclectic reader, and she adores books when they make her: laugh, cry, swoon, and/or surprised. Above all, she loves when a book makes her want to talk about it endlessly to everybody.

After participating in the Writers House Mentor Initiative, and interning at such literary agencies as Creative Media Agency and Dystel, Goderich & Bourret, Jessica is ready to help champion new voices with exciting ideas and thrilling stories.