PITCH YOUR BOOK TO A LITERARY AGENT:
These one-on-one meetings at the 2020 San Diego Writing Workshop are an amazing chance to pitch your book face-to-face with an agent, and get personal, individual feedback on your pitch/concept. If the agent likes your pitch, they’ll request to see part/all of your book — sending you straight past the slush pile. It also gives you an intimate chance to meet with an agent and pick their brain with any questions on your mind. More 2020 agents to be announced as they are confirmed. You can sign up for pitches at any time, or switch pitches at any time, so long as the agent in question still has appointments open.
Annie Bomke is a literary agent and the founder of Annie Bomke Literary Agency. She is looking for adult and YA fiction and nonfiction, including commercial and literary fiction, upmarket fiction, mysteries (from hilarious cozies to gritty police procedurals and everything in between), historical fiction, magical realism, women’s fiction, psychological thrillers/suspense, literary/psychological horror, self-help, business, health/diet, cookbooks, memoir, relationships, current events, true crime, psychology, prescriptive nonfiction, and narrative nonfiction. She’s a sucker for locked room mysteries, books set in the Victorian era, books about evil children, and unreliable narrators. In any genre, she is looking for character-driven stories. She is especially interested in books that feature diverse characters. Learn more about Annie here.
Greg Johnson is the founder of Wordserve Literary. He is seeking: In the general market, he seeks historical fiction, children’s works, and YA. He also seeks inspirational/Christian fiction. His nonfiction tastes are more varied, and he specializes in religion/spirituality, memoir, military nonfiction, or history nonfiction. Business books, health, and humor rounds out what he is looking to acquire. Learn more about Greg here.
Katherine Wessbecher is a literary agent with Bradford Literary Agency. In middle grade and young adult, historical fiction and fantasy have been favorites since she was young. But more than genre, she’s looking for the kinds of stories that transport her: to the past, an imagined world, or a perspective wholly different from her own. She’s drawn to stories that push readers to question their assumptions of the world. Her favorite picture books are the kind that make both kids and grown-ups laugh. Inventive premises, twist endings, and quirky characters are all good ways to pique her interest. Katherine is looking for upmarket adult fiction that straddles the literary and commercial divide. Books that inspire her list run the gamut from Where’d You Go, Bernadette to Yaa Gyasi’s Homegoing. She loves unexpected takes on familiar stories and flawed yet endearing characters. Katherine is actively seeking adult and juvenile narrative nonfiction—particularly projects that highlight stories the history textbooks left out. In the same vein, she’d love to work with nonfiction graphic novel projects like John Hendrix’s The Faithful Spy. Learn more about Katherine here.
Jemiscoe Chambers-Black is a jr. literary agent at Corvisiero Literary. She is seeking: mainstream fiction, women’s fiction, romance in all genres (especially in contemporary and fantasy), thriller, crime, fantasy, middle grade, young adult, and literary fiction. Learn more about Jemiscoe here.
Courtney Miller-Callihan is a literary agent and founder of Handspun Literary. She is always looking for stories she can’t stop reading. For adult fiction, Courtney represents mainstream/upmarket fiction (including historical fiction and women’s fiction), romance (all subgenres except inspirational), mystery novels, and speculative fiction (science fiction and fantasy). For nonfiction, Courtney represents work targeting all age groups (children and adults). Though she will consider nonfiction on any topic, work that deals primarily with issues of religion or spirituality is unlikely to be a good fit. Learn more about Courtney here.
Jill Marr is an agent at the Sandra Dijkstra Literary Agency. Jill is interested in: commercial fiction, with an emphasis on mysteries, thrillers, romantic suspense and horror, women’s commercial fiction and historical fiction. She is also looking for non-fiction by authors who are getting their work published regularly and who have a realistic sense of the market and their audience. Jill is looking for non-fiction projects in the areas of history, sports, politics, current events, cookbooks, health & nutrition, pop culture, humor, music, and very select memoir. Learn more about Jill here.
Samantha Bagood is a literary agent and founder of Samantha B. Literary. She specializes in books for all kinds of books for children — picture books, chapter books, middle grade, and young adult. (No adult fiction pitches of any kind please.) She enjoys out-of-the-box formats and styles done well, and would love to see more stories from an Asian-American perspective. Learn more about Samantha here.
Rachel Beck is a literary agent with Liza Dawson Associates. Rachel is looking for: upmarket/book club women’s fiction in the vein of Emily Giffin, Jodi Picoult, Jennifer Weiner and Liane Moriarty; light-hearted millennial fiction or contemporary romance like Kristan Higgins or Sophie Kinsella; character-driven, psychological/domestic suspense that contain fresh plots and mind-blowing premises; contemporary young adult, primarily issue-driven material that explores topics such as sexual assault, LGBTQ issues, etc.; and select nonfiction, such as feminist material; career/business/personal growth books; extreme underdog, survival, accomplishment, or rising-from-poverty type stories; select health and wellness books (especially mental health, eating disorders, any rare or underrepresented conditions, Alzheimer’s/memory books); books about football/the NFL; marathoner/triathlete memoirs; parenting books with new angles; books that explore cult life or extreme religion; 9/11 survival stories. Learn more about Rachel here.
Tara Gilbert is a jr. literary agent with Corvisiero Agency. At the 2020 SD conference, she is taking pitches on behalf of herself as well as co-agents. Personally, she is seeking all kinds of young adult and middle grade, adult sci-fi, adult fantasy, graphic novels, contemporary fiction, and romance. On behalf of co-agents, she will take pitches for historical novels, women’s fiction, mainstream/general fiction, and children’s picture books. Learn more about Tara here.
Carlie Webber is a literary agent with Fuse Literary. She represents fiction in the genres of: young adult, middle grade, new adult, women’s fiction, literary fiction, mainstream fiction, mystery, thriller, suspense, and romance. She does not want to rep picture books, easy readers, poetry, scripts or curriculum nonfiction. She no longer seeks nonfiction (or memoir) of any kind. Learn more about Carlie here.
Elise Capron is a literary agent with the Sandra Dijkstra Literary Agency. She is primarily interested in well-written narrative nonfiction in the areas of history, journalism, and science, by writers have an established platform in their field. She is also interested in adult literary fiction, and finds novels with an unusual or eccentric edge particularly appealing. (Her fiction taste leans heavily to the literary side, not commercial.) She aims to work with writers who are getting their work published regularly and who have a realistic sense of the market and their audience. And while she is willing to consider memoir, please note that she rarely takes on new authors in this area. Learn more about Elise here.
Ben Miller-Callihan is a literary agent with Handspun Literary Agency. His interests include: humor, young adult and middle grade novels, science fiction & fantasy (especially decolonial SF/F), cookbooks, mainstream-ish fiction a la David Mitchell and William Gibson, and anything food-related. Learn more about Ben here.
More 2020 agents to be announced as they are confirmed. You can sign up for pitches at any time, or switch pitches at any time, so long as the agent in question still has appointments open.
These one-on-one meetings are an amazing chance to pitch your book face-to-face with an agent, and get personal, individual feedback on your pitch/concept. If the agent likes your pitch, they’ll request to see part/all of your book — sending you straight past the slush pile. It also gives you an intimate chance to meet with an agent and pick their brain with any questions on your mind.
(Please note that Agent/Editor Pitching is an add-on, separate aspect of the day, for only those who sign up. Spaces are limited for these premium meetings.)