The 2021 San Diego Writing Workshop: May 14-15, 2021

Screen Shot 2016-12-25 at 10.34.26 PM.pngAfter successful 2015, 2017, and 2019 events in San Diego, Writing Day Workshops is excited to announce The 2021 San Diego Writing Workshop — an online “How to Get Published” writing event on May 14-15, 2021. (Writers are welcome to attend virtually from everywhere and anywhere.)

This writing event is a wonderful opportunity to get intense instruction over the course of two days, pitch a literary agent or editor (optional), get your questions answered, and more. Note that there are limited online “seats” at the event (200 total). All questions about the event regarding schedule, details and registration are answered below. Thank you for your interest in the 2021 San Diego Writing Workshop!

ONLINE: The 2021 SDWW is an Online Conference to keep everyone safe, on May 14-15, 2021. There is much more to say about this, but immediately you should understand 1) Online events are easy and awesome, and the online events we’ve done thus far have received wonderful feedback, 2) You do not have to be tech-savvy to do this, and 3) We are keeping all aspects of a traditional in-person event, including one-on-one agent & editor pitching, which will now be done by Skype or Zoom or phone. Learn all details about what it means to have a writers conference online.)

WHAT IS IT?

This is a special two-day “How to Get Published” writing workshop on May 14-15, 2021. In other words, it’s two days full of classes and advice designed to give you the best instruction concerning how to get your writing & books published. We’ll discuss your publishing opportunities today, how to write queries & pitches, how to market yourself and your books, what makes an agent/editor stop reading your manuscript, and more. No matter what you’re writing — fiction or nonfiction — the day’s classes will help point you in the right direction. Writers of all genres are welcome. And even though this is the “San Diego” Writing Workshop, make no mistake — writers from everywhere are welcome to attend virtually.

This event is designed to squeeze as much into two days of learning as possible. You can ask any questions you like during the online classes, and get your specific concerns addressed. We will have literary agents onsite to give feedback and take pitches from writers, as well. This year’s 2021 SDWW agent faculty so far includes:

  • literary agent Latoya C. Smith (LCS Literary)
  • literary agent Elizabeth Kracht (Kimberley Cameron & Associates)
  • literary agent Em Lysaght (Ladderbird Literary)
  • literary agent Kortney Price (Raven Quill Literary)
  • literary agent Annie Bomke (Annie Bomke Literary)
  • literary agent Tara Gelsomino (One Track Literary)
  • literary agent Mary C. Moore (Kimberley Cameron & Associates)
  • literary agent Lynnette Novak (The Seymour Agency)
  • literary agent Kaitlyn Johnson (Belcastro Agency)
  • literary agent Emily Williamson (Williamson Literary)
  • literary agent Jaidree Braddix (Park & Fine Literary)
  • literary agent Susana Alvarez (Park & Fine Literary)
  • literary agent Kimberly Brower (Brower Literary)
  • literary agent Analieze Cervantes (Harvey Klinger Literary)
  • literary agent Beth Marshea (Ladderbird Literary)
  • literary agent Cassie Mannes Murray (Howland Literary)
  • literary agent Jemiscoe Chambers-Black (Andrea Brown Literary)
  • literary agent Becky LeJeune (Bond Literary)
  • literary agent Markus Hoffmann (Regal Hoffman & Associates)
  • literary agent Leah Pierre (Ladderbird Literary)
  • literary agent Matt Belford (Tobias Agency)
  • literary agent Suzie Townsend (New Leaf Literary)
  • literary agent Michaela Whatnall (Dystel, Goderich, and Bourret)
  • literary agent Leticia Gomez (Savvy Literary)
  • literary agent Heather Cashman (Storm Literary)
  • literary agent Sandy Lu (Book Wyrm Literary)
  • literary agent Garrett Alwert (Emerald City Literary)
  • literary agent Stephanie Winter (P.S. Literary)
  • literary agent Eric Smith (P.S. Literary)
  • literary agent Amaryah Orenstein (Go Literary)
  • literary agent Tessa Emily Hall (CYLE Literary)
  • literary agent Erica Bauman (Aevitas Creative Management)
  • literary agent Paul S. Levine (Paul S. Levine Literary)
  • and more to come

By the end of the day, you will have all the tools you need to move forward on your writing journey. This independent event is organized by coordinators Chuck Sambuchino and Brian Klems of Writing Day Workshops.

EVENT LOCATION & DETAILS:

ONLINE: The 2021 SDWW is an Online Conference to keep everyone safe, on May 14-15, 2021. There is much more to say about this, but immediately you should understand 1) Online events are easy and awesome, and the online events we’ve done thus far have received wonderful feedback, 2) You do not have to be tech-savvy to do this, and 3) We are keeping all aspects of a traditional in-person event, including one-on-one agent & editor pitching, which will now be done by Skype or Zoom or phone. Learn all details about what it means to have a writers conference online.)

THIS YEAR’S SESSIONS & WORKSHOPS (MAY 14-15, 2021):

What you see below is a quick layout of the day’s events. See a full layout of the day’s sessions, with detailed descriptions, on the official Schedule Page here.

Agent pitches and critique consultations overlap with Saturday sessions. The schedule of presentation topics below is subject to change and updates:

FRIDAY, MAY 14, 2021

9:30 – 10:30: Common Publishing Myths … Debunked. In this session, a literary agent discusses the most common myths about publishing and what the reality for writers truly is.

10:45 – 11:45: Plotting Arcs and Compelling Narratives. A great work of fiction requires excellent pacing to move the reader past those first pages and to propel them to the very end.

11:45 – 1:15: Break

1:15 – 2:30: Everything You Need to Know About Agents and Query Letters. This workshop is a thorough crash course in dealing with literary agents.

2:45 – 3:45: An Overview of Your Publishing Options Today. In today’s publishing world, a writer has to understand what they’re in for before they send their book out. This session is designed to prepare them for what’s to come and what options exist

4:00 – 5:00: Understanding Hook and Theme. With real-life examples, concrete tips, and interactive exercises, this fun class will get your ready to be impactful and effective the next time somebody asks: What is your book about?

* * * * *

SATURDAY, MAY 15, 2021

9:30 – 10:30: Lost In Revisions- How to Self-Edit Your Manuscript. You know that before you send your work out to the world it’s going to need some adjustments, but where do you begin?

10:45 – 11:45: How to Market Yourself and Your Books: Talking Author Social Media, Blogging, and Platform. Whether you’re traditionally published or self-published, everyone could use some helpful guidance on how to effectively market themselves and sell more books.

11:45 – 1:15: Break

1:15 – 2:30: “Writers Got Talent”—a Page 1 Critique Fest, with participating literary agents and editors. In the vein of “American Idol” or “America’s Got Talent,” this is a chance to get your first page read (anonymously — no bylines given) with attending agents commenting on what was liked or not liked about the submission.

2:45 – 3:45: Open Agent Q&A Panel. Several attending literary agents will open themselves up to open Q&A from SDWW attendees. Bring your questions and get them answered in this popular session.

4:00 – 5:00: After the Book Deal: What Happens Next? A pair of agent instructors will present a detailed explanation of the traditional publishing process.

Agent pitches and critique consultations overlap with Saturday sessions. The schedule of presentation topics below is subject to change and updates:

(What you see here is a quick layout of the day’s events. See a full layout of the day’s sessions, with detailed descriptions, on the official Schedule Page here.)

Agent & Editor Pitching: All throughout the day.

————-

PITCH AN AGENT OR EDITOR:

Kimberly Brower is a literary agent and founder of Brower Literary. Kimberly is interested in adult upmarket/commercial fiction, with an emphasis in general/book club fiction, women’s fiction and romance. However, she is always looking for books that she wants to stay up all night reading, unable to put them down, regardless of what genre an author classifies it as. She loves stories that bring her into a world she doesn’t want to leave and characters that have strong story arcs. She also can never say no to an epic love story. Learn more about Kimberly here.

Elizabeth Kracht is a literary agent with Kimberley Cameron & Associates. Having lived in cities such as New York, San Francisco and San Juan, Puerto Rico, she is compelled by multicultural themes and characters and is drawn toward strong settings. In fiction, she represents literary, commercial, women’s, thrillers, mysteries, historical, and crossover YA. In nonfiction, she is interested in high concept, health, science, environment, prescriptive, investigative, true crime, voice- or adventure-driven memoir, sexuality, spirituality, and animal/pet stories. Learn more about Elizabeth here.

Em Lysaght is a literary agent with Ladderbird Literary. Em is a queer ex-classicist based in Oakland, CA. She is looking for queer fantasy, sci-fi, and graphic novels for all age ranges. Outside of agenting, she draws comics about queer monsters being friends and travels the globe scoping out stationary stores. She is looking for genre-blending commercial queer Fiction in YA/MG/Adult/Graphic Novels with a particular focus on BIPOC authors and authors of marginalized identities. Learn more about Em here.

Kortney Price is a literary agent with Raven Quill Literary Agency. “I work primarily on children’s books — stories from board book up through young adult. My tastes in stories are pretty broad, but here’s a rundown of what I’m most excited about seeing in my inbox.  I am committed to building a list that reflects the diversity of our world and so I am passionate about diverse representation in the books I work with. I would love to see a vast array of characters and own voices writers writing them. Because of my experience working with the special needs community, I’m especially excited for books featuring all of those uniquely special brains or bodies that don’t operate like everyone else’s.” Kortney seeks all ages of children’s nonfiction and fiction, including picture book, graphic novel, early reader, middle grade, young adult. Learn more about Kortney here.

Annie Bomke is a literary agent with Annie Bomke Literary Agency. She represents a wide variety of adult and YA fiction and nonfiction, including commercial and literary fiction, upmarket fiction, mysteries (from hilarious cozies to gritty police procedurals and everything in between), historical fiction, women’s fiction, psychological thrillers, literary/psychological horror, self-help, business, health/diet, cookbooks, memoir, relationships, current events, psychology, and narrative nonfiction. Learn more about Annie here.

Tara Gelsomino is a literary agent and founder of One Track Literary. She is currently seeking completed works with vibrant, fresh voices in these genres: romance (especially romantic comedies), women’s fiction with fresh hooks, thrillers and psychological suspense (no cozy mysteries please), and contemporary young adult. Special preferences include (but are not limited to) these dynamics and elements: confident, competent, and complicated heroines, humorous beta heroes, smart and snappy banter, feminist themes, gender-role reversals, slow burn relationships. Own voices stories are especially welcome. Learn more about Tara here.

Mary C. Moore is a literary agent with Kimberley Cameron & Associates. She is eager to further build her client list in fiction, both children and adult. She reads widely and enjoys all fiction genres, but is especially seeking bookclub fiction with light speculative elements, female detective stories, whimsical middle-grade, and young adult that explores identity and culture. Learn more about Mary here.

Lynnette Novak is a literary agent with The Seymour Agency. In adult fiction: thrillers, psychological suspense, horror, contemporary romance, romantic comedy, and mysteries (traditional, amateur sleuth, and cozy). In young adult fiction: thrillers, psychological suspense, horror, contemporary, mysteries, fantasy, and sci-fi. In middle grade: contemporary, horror, fantasy, sci-fi, action/adventure, mystery, and humor. In children’s fiction: picture books (non-rhyming preferred). Learn more about Lynnette here.

Kaitlyn Johnson is a literary agent with Belcastro Agency. For upper middle grade, she wants fantasy (high, urban, or magical realism), contemporary, light sci-fi, horror, paranormal, and historical. For young adult, she seeks fantasy (high, urban, or magical realism), contemporary, modern romance, historical, and paranormal. For adult fiction (and new adult), she seeks fantasy, light science fiction, historical, contemporary romance, and rom-coms. Learn more about Kaitlyn here.

Jaidree Braddix is a literary agent with Park & Fine Literary and Media. Although Jaidree focuses on nonfiction (see specifics below), she informed the conference that she is open to meeting with attendees who write fiction, specifically if the attendee wants feedback on their pitch, rather than to actually submit work. Her nonfiction interests range from serious nonfiction that dives deep to illuminate important issues, to buzz-worthy and mission-driven narratives that have the potential to influence the national conversation. She is committed to helping authors turn their assets—be they courageous ideas, foundations for social good, academic studies, health and fitness programs, popular blogs, or Instagram followings—into compelling proposals and noteworthy books. Learn more about Jaidree here.

Emily Williamson is a literary agent and the founder of Williamson Literary. In adult fiction she is looking for lyrical prose, stories with unique settings, adventure, international, fantasy/sci-fi or science inspired, magical realism. For children’s, she seeks stories that talk up to kids, that inspire and build confidence with cleverness and humor. Prefers middle grade over YA; no picture books. Nonfiction interests: history, sports, science, environmental, narrative, and a solid author platform. Currently looking for science or adventure/travel narratives in the vein of books such as Shadow of the Silk Road or The Sports Gene. Learn more about Emily here.

Susana Alvarez is a literary agent with Park & Fine Literary. As first-generation Mexican-American, she is especially drawn to and excited to reflect multicultural experiences and perspectives. Her interests range from narrative nonfiction, where she has a penchant for memoirs, to voice-driven Journalism, cultural commentary, big idea society-moving books, to the health and wellness industry; particularly among women and under-represented communities. Outside of nonfiction, her love of the literary world first arrived through the great American novel, which evolved into a passion for fiction rooted in themes of: the self, coming of age, complex human relationships, and multi-generational stories against the backdrop of multiple nations and cultures. Learn more about Susana here.

Beth Marshea is a literary agent at Ladderbird Literary Agency. In all areas Beth would like to see more works from disabled writers, from LGBTQIA+ writers, from Black, Indigenous, Latinx, Asian, Middle Eastern, and all other groups who do not regularly get to see their stories in print. She would love to see more non-binary representation across categories as well. She seeks narrative nonfiction, literary fiction, mainstream fiction, mystery, thriller, fantasy, and science fiction. She also selectively represents young adult, middle grade, and picture books. Learn more about Beth here.

Analieze Cervantes is a literary agent with Harvey Klinger Literary Agency. Analieze is currently building her own list and is looking for stories in YA and Adult Fiction. She specializes in Sci-Fi, Romance, Thriller, Suspense, and Mystery. Analieze is especially open to BIPOC and LGBTQ voices in the mentioned categories. “I am looking for character-driven books that grip me from the first page until the very end. I want fantastic world-building, a clear plot, and want to know your main character’s desire by the time I get to page ten.” Learn more about Analieze here.

Latoya C. Smith is a literary agent with LCS Literary. In fiction, she seeks high-concept women’s fiction; high-concept mystery, thriller and horror, romance (contemporary, romantic suspense, cowboys, historical, LGBTQ, paranormal, sweet), comedy / romantic comedy, and young adult (no SF/F). In nonfiction, she is strictly seeking platform and market-based books in the areas of memoir, how to, advice, relationships, health, wellness, politics, current events, history, sports, pop culture, and business. Learn more about Latoya here.

Cassie Mannes Murray is a literary agent with Howland Literary. Cassie is accepting submissions for adult fiction and nonfiction. As far as fiction, she is seeking literary fiction, upmarket commercial fiction, short story collections, and literary-speculative work (not high fantasy or science fiction). For nonfiction, she’s interested in representing memoir, essay collections, as well as narrative nonfiction. Learn more about Cassie here and what she is seeking.

Stephanie Winter is a literary agent at P.S. Literary. Stephanie is acquiring: adult, Young Adult, and Middle Grade fiction, in addition to Graphic Novels. She’s actively seeking titles with diverse and inclusive representation that offer smart, culturally aware, and enriching narratives. For young readers, Stephanie loves a good adventure story, light SFF, and STEAM topics. In the adult space, she appreciates all sorts of fiction but particularly enjoys Rom-Coms and Thrillers (located outside the home) and LGBTQ+ stories that bring joy. Stephanie also acquires select nonfiction in all age groups, with a soft spot for projects that blend illustration with information on culturally relevant topics. Learn more about Stephanie here.

Amaryah Orenstein is a literary agent with Go Literary. Amaryah has always loved to read and provide (oftentimes unsolicited) editorial advice and, as a literary agent, she is thrilled to help writers bring their ideas to life. She is particularly drawn to narrative nonfiction and memoir but enjoys any book that connects the reader to its characters and evokes thought and feeling. Learn more about Amaryah here.

Eric Smith is a literary agent with P.S. Literary. Eric has a love for young adult books, literary fiction, sci-fi, fantasy, and nonfiction. Eric is eagerly acquiring fiction and non-fiction projects. He’s actively seeking out new, diverse voices in Young Adult (particularly sci-fi and fantasy), Middle Grade, and Literary and Commercial Fiction (again, loves sci-fi and fantasy, but also thrillers and mysteries). In terms of non-fiction, he’s interested in Cookbooks, Pop Culture, Humor, Middle Grade, essay collections, and blog-to-book ideas. Learn more about Eric here.

Screen Shot 2019-09-27 at 1.37.27 PMPaul S. Levine is a literary agent and the founder of Paul S. Levine Literary. He is also an attorney. His fiction interests include adventure novels, mainstream fiction, mysteries, romance, thrillers, and women’s fiction. His nonfiction interests include business/commerce, pop culture, how-to, self-help, politics/law, relationships, and sports. Learn more about Paul here.

Screen Shot 2019-03-30 at 3.10.25 PM.pngErica Bauman is a literary agent with Aevitas Creative Management. Erica is currently focused on representing a wide range of authors across middle grade, young adult, and adult fiction, as well as some select narrative nonfiction projects. She is most interested in novels that straddle the line between literary and commercial, imaginative tales with a speculative twist, fearless storytellers that tackle big ideas and contemporary issues, and working with and supporting marginalized authors and stories that represent the wide range of humanity. “In adult, I gravitate towards stories that have a commercial premise and beautiful writing. I love voice-driven, witty romcoms, historical novels (especially mysteries), and light SFF and magical realism. I’m on the lookout for books starring nerds, and stories that make me laugh. Across all age ranges and genres, I’m eager to support and work with marginalized authors and stories that represent the wide range of humanity.” Learn more about Erica here.

Garrett Alwert is a literary agent with Emerald City Literary Agency. Garrett is looking for: smart, funny, contemporary stories with fresh voices, a strong hook and awesome dialogue. “Emerald City Literary represents picture books, middle grade, young adult, and children’s nonfiction. We welcome submissions with LGBTQ+ themes and/or diverse characters as well as traditionally underrepresented authors.” He enjoys romance and stories that focus on friendship, family, and all the ways those relationships come together. He also likes well paced psychological thrillers as well as stories with unique story structures and timelines. He is actively looking for projects by POC authors or with LGBTQ+ themes. Learn more about Garrett here.

Jemiscoe Chambers-Black is a literary agent with Andrea Brown Literary Agency. In middle grade, se seeks contemporary, fantasy, urban fantasy, paranormal, horror, graphic novels, and novels in verse. In young adult, she seeks romance, contemporary, fantasy, mystery, and novel in verse. She seeks illustrators and author-illustrators of picture books, chapter books, middle grade, and YA. For adult fiction, she seeks romance, rom-coms, upmarket psychological thrillers & mysteries, literary fiction, and fantasy (not high fantasy). Jem is especially open to BIPOC and LGBTQIA+ and neurodivergent voices and stories in all the above categories. Learn more about Jemiscoe.

Becky LeJeune is a literary agent with Bond Literary. Becky spent 5 years as an acquisitions editor at The History Press before joining Sandra at BLA in 2014. She is interested in adult and teen general fiction, horror, mystery/thriller, historical fiction, science fiction and fantasy, and cookbooks. Learn more about Becky here.

Markus Hoffmann is a literary agent with Regal Hoffman Associates. Markus joined Regal Literary in 2006 and was made a partner in the agency in 2014, when it became Regal Hoffmann & Associates. His main interests as an agent are international and literary fiction, unusual speculative fiction, crime, literary memoir, philosophy, history, music, popular science, and travel literature. He also looks after the agency’s foreign rights. Learn more about Markus here.

Leah Pierre is a literary agent with Ladderbird Literary. In young adult as well as adult fiction, she is seeking some fantasy, romantic meet-cute stories, realistic and raw family-centered novels, mysteries, psychological thrillers, fairy tale retellings, espionage/heist, historical fiction and fantasy, social justice inspired stories, romance (ideally interracial or at least something out of the ordinary). In new adult fiction, she seeks romance (again, interracial or at least something out of the ordinary), coming of age, F/F friendship, and books about the college experience as well as the post-college experience. Learn more about Leah here.

Suzie Townsend is Vice President and Literary Agent at New Leaf Media. Suzie represents all brands of children’s and adult fiction. She loves women’s fiction, narrative nonfiction, memoir, and debut fiction. On the children’s side, she is interested in select young adult and middle grade. Suzie loves strong characters and voice-driven stories that break out of the typical tropes of their genres, and she’s always looking for unique new voices in stories. Learn more about Suzie here.

Heather Cashman is a literary agent with Storm Literary. Heather is currently seeking submissions for middle grade and young adult. For MG and YA fiction, she’ll consider all genres and loves a good genre splice. For MG and YA nonfiction, anything that takes her back to those days in the library when she wanted to learn about someone, something, and somewhere new. For all writing, Heather enjoys unique characters formed from their own experiences in a unique world. Learn more about Heather here.

Sandy Lu is a literary agent with Book Wyrm Literary Agency. In fiction, Sandy seeks literary and commercial fiction, mystery, thriller, suspense, science fiction, fantasy, horror, historical fiction, and YA. In nonfiction: narrative nonfiction, history, biography, science, business, psychology, pop culture, and food writing. Learn more about Sandy here as well as what she is seeking.

Matt Belford is a literary agent with The Tobias Literary Agency. A lover of all things science fiction and fantasy, Matt accepts his nerd status readily. Matt is interested in receiving submissions for both graphic memoirs and graphic novels, as well as adult science fiction and fantasy, and some popular nonfiction. He is not interested in young adult novels. Learn more about Matt here.

Screen Shot 2019-07-09 at 11.51.01 PM.pngLeticia Gomez is a literary agent and the founder of Saavy Literary. At the present time, Savvy Literary Agency is interested in reviewing compelling and commercially viable book proposals and manuscripts written in English or Spanish. Fiction areas of interest: adventure, chick lit, fantasy, historical, humor, multicultural, mystery, paranormal, romance, young adult, and middle grade. Nonfiction areas of interest: advice/relationships, biography, cooking, diet, health, history/politics/current affairs, how-to, humor, lifestyle, memoir, parenting, religion/spirituality and true crime. Learn more about Leticia here.

Michaela Whatnall is a literary agent with Dystel, Goderich & Bourret. Their background in school and library marketing accounts for their strong interest in children’s literature, from picture books up through middle grade and young adult novels and graphic novels. In the adult fiction space, they are particularly seeking character-driven speculative fiction, sci-fi/fantasy, and literary fiction. They are also interested in nonfiction for both children and adults, especially narrative nonfiction in the areas of history, the creative arts, and lifestyle. Learn more about Michaela here.

Tessa Emily Hall is a literary agent for CYLE Literary. She seeks young adult fiction (all kinds and genres) for Illuminate YA Fiction publishing. Learn more about Tessa here.

x

        More 2021 agents to be announced as they are confirmed. You can sign up for pitches at any time, or switch pitches at any time, so long as the agent in question still has appointments open.

These one-on-one meetings are an amazing chance to pitch your book face-to-face with an agent, and get personal, individual feedback on your pitch/concept. If the agent likes your pitch, they’ll request to see part/all of your book — sending you straight past the slush pile. It also gives you an intimate chance to meet with an agent and pick their brain with any questions on your mind.

(Please note that Agent/Editor Pitching is an add-on, separate aspect of the day, for only those who sign up. Spaces are limited for these premium meetings, and pricing/detail is explained below.)

———

PRICING:

$189 — EARLY BIRD base price for registration to the 2021 SDWW and access to all workshops, all days. (You also get 10 additional free pre-recorded webinars on writing and publishing.) As of early 2021, registration is now OPEN.

Add $29 — to secure a 10-minute one-on-one meeting with any of our literary agents or editors in attendance. Use this special meeting as a chance to pitch your work and get professional feedback on your pitch. (Spaces limited.) If they wish, attendees are free to sign up for multiple 10-minute pitch sessions at $29/session — pitching multiple individuals. There is no limit. Here are quick testimonials regarding writers who have signed with literary agents after pitching them at prior Writing Day Workshops events. (Our bigger, growing list of success stories can be seen here.)

Screen Shot 2018-11-26 at 11.11.29 AM.png“I met my client, Alison Hammer, at the Writing
Workshop of Chicago and just sold her book.”
– literary agent Joanna Mackenzie of Nelson Literary

Screen Shot 2017-05-02 at 11.47.54 PM.png“Good news! I signed a client [novelist Aliza Mann]
from the Michigan Writing Workshop!”
– literary agent Sara Mebigow of KT Literary

Screen Shot 2018-11-05 at 12.56.10 PM“I signed author Stephanie Wright from
the Seattle Writing Workshop.”
– literary agent Kathleen Ortiz of New Leaf Literary

Screen Shot 2018-05-17 at 9.07.44 PM“I signed an author [Kate Thompson] that I
met at the Philadelphia Writing Workshop.”
– literary agent Kimberly Brower of Brower Literary

Screen Shot 2016-10-16 at 2.54.50 PM.png“I signed novelist Kathleen McInnis after meeting her
at the Chesapeake Writing Workshop.”

– literary agent Adriann Ranta of Foundry Literary + Media

Add $69 — for an in-depth, personal critique of your one-page query letter from Brian Klems, one of the workshop’s former instructors. (This rate is a special event value for San Diego Writing Workshop attendees only.) Registrants are encouraged to take advantage of the specially-priced critique, so they can send out their query letter with confidence following the workshop. Also, if you are meeting with an agent at the event, you’re essentially speaking your query letter aloud to them. Wouldn’t it be wise to give that query letter (i.e., your pitch) one great edit before that meeting?

Add $89 — for an in-depth personal critique of the first 10 pages of your novel. Spaces with faculty for these critiques are very limited, and participating attendees get an in-person meeting at the workshop. Options:

  • Mystery, thriller, general fiction, literary fiction, science fiction, fantasy, romance, women’s fiction: Faculty member Tara Bailey, a writing coach and author, will get your work in advance, critique the first 10 double-spaced pages of your book, meet with you online (Zoom, etc.) or by phone for 15 minutes sometime before the workshop to discuss her thoughts, and pass along written critique notes before or after the meeting.
  • Literary fiction, fantasy, science fiction, magical realism, women’s fiction, historical, any kind of young adult, any kind of middle grade, and picture books. Faculty member Laura Biagi, a former literary agent, will get your work in advance, critique the first 10 double-spaced pages of your book, meet with you online (Zoom, etc.) or by phone for 15 minutes sometime before the workshop to discuss her thoughts, and pass along written critique notes before or after the meeting. If you submit a picture book, it must be 1,000 words or fewer (can have illustrations or not).
  • Memoir, children’s picture books, adult fiction of any kind, young adult, middle grade: Faculty member Shirin Leos, a writing coach and author, will get your work in advance, critique the first 10 double-spaced pages of your book, meet with you online (Zoom, etc.) or by phone for 15 minutes sometime before the workshop to discuss her thoughts, and pass along written critique notes before or after the meeting. If you submit a picture book, it must be 1,000 words or fewer (can have illustrations or not).

How to pay/register — Registration is now open. Reach out to workshop organizer Brian Klems via email: WDWconference@gmail.com, and he will provide specific instructions for payment and registration to get you a reserved seat at the event. Payment is by PayPal or check or credit card. Because Brian plans different workshops, make sure you note that you’re inquiring about the San Diego workshop specifically.

REGISTRATION:

ONLINE: The 2021 SDWW is an Online Conference to keep everyone safe, on May 14-15, 2021. There is much more to say about this, but immediately you should understand 1) Online events are easy and awesome, and the online events we’ve done thus far have received wonderful feedback, 2) You do not have to be tech-savvy to do this, and 3) We are keeping all aspects of a traditional in-person event, including one-on-one agent & editor pitching, which will now be done by Skype or Zoom or phone. Learn all details about what it means to have a writers conference online.)

Are spaces still available? Yes, we still have spaces available. We will announce RIGHT HERE, at this point on this web page, when all spaces are taken. If you do not see a note right here saying how all spaces are booked, then yes, we still have room, and you are encouraged to register.

How to Register: The easy first step is simply to reach out to workshop organizer Brian Klems via email: WDWconference@gmail.com. He will pass along registration information to you, and give instructions on how to pay by PayPal or check or credit card. Once payment is complete, you will have a reserved seat at the event. The SDWW will send out periodic e-mail updates to all registered attendees with any & all news about the event. Because Brian plans different workshops, make sure you note that you’re inquiring about the San Diego workshop specifically.

Refunds: If you sign up for the event and have to cancel for any reason at any time, you will receive 50% of your total payment back [sent by check or PayPal or CC refund]. The other 50% is nonrefundable and will not be returned, and helps the workshop ensure that only those truly interested in the limited spacing sign up for the event. (Please note that query editing payments and manuscript editing payments are completely non-refundable if the instructor has already started edited your work.)

Screen Shot 2014-06-12 at 4.10.21 PM

Thank you for your interest in the 2021 San Diego Writing Workshop.