Annie has over a decade of experience helping authors succeed. Her books include Dodging and Burning by John Copenhaver, winner of the Macavity Award for Best First Novel, and nominated for a Lammy Award, Strand Critics Award, Barry Award and Anthony Award, and the Barnes & Noble bestselling Poppy McAllister cozy mystery series by Libby Klein. She has edited a wide range of projects—from hard-nosed business books to otherworldly historical novels. Authors have called her the pH test for good writing, and a bedrock for literary quality control.
Annie has loved the publishing industry since her position as an Editorial Assistant at Zoetrope: All-Story, a literary magazine founded by Francis Ford Coppola. She explored her love of books managing Alcala Gallery, an art gallery and rare bookstore, and even had a brief stint as a technical writer for a Department of Defense contractor.
She represents a wide variety of adult and YA fiction and nonfiction, including commercial and literary fiction, upmarket fiction, mysteries (from hilarious cozies to gritty police procedurals and everything in between), historical fiction, women’s fiction, psychological thrillers, literary/psychological horror, self-help, business, health/diet, cookbooks, memoir, relationships, current events, psychology, and narrative nonfiction.
Annie spends her free time reading, going for walks in the park, and dancing. Her favorite authors include Haruki Murakami, Margaret Atwood, Ray Bradbury, Tana French, and Paul Auster.
One Track Literary is currently seeking completed works with vibrant, fresh voices in these genres: romance (especially romantic comedies), women’s fiction with fresh hooks, thrillers and psychological suspense (no cozy mysteries please), and contemporary young adult.
(Note: I am not the best fit for paranormal and fantasy, though futuristic/sci-fi/dystopian is fine.)
Special preferences include (but are not limited to) these dynamics and elements:
confident, competent, and complicated heroines
humorous beta heroes
smart and snappy banter
slow burn relationships
Own voices stories are especially welcome.
A voracious genre reader since childhood, Tara began her publishing industry career at Romantic Times magazine in 1998 as a writer/editor then managing editor, before transitioning to audiobook publishing in 2005 with BBC Audiobooks America as managing editor, acquisitions editor, and executive marketing manager. During her time with BBCAA, she also spearheaded creating and publishing the first crowd-sourced audiobooks via Twitter with renowned bestselling authors Neil Gaiman and Meg Cabot. (Despite not having the correctly shaped head to pull it off, she has indeed worn many hats.)
In 2013, she returned to her romance roots as the Executive Editor of Crimson Romance, a digital-first imprint for F+W Media and later Simon & Schuster, where she acquired and published more than 300 titles by new and up-and-coming authors. Her proudest achievements at Crimson include leading the imprint to become the largest romance publisher of own voices titles, with nearly 30 percent of its 2017 books by authors of color (per The Ripped Bodice’s Diversity in Romance report), and conceiving, editing, and publishing Snow Falling, the TV tie-in romance novel for the Peabody Award-winning CW show, Jane the Virgin.
Tara lives in Rhode Island with her husband and her rescue dog, Yoda. When she isn’t reading or writing, she enjoys watching too much television, buying yarn (and occasionally even knitting it), seeing Broadway musicals, and traveling to new places.
Elizabeth joined Kimberley Cameron & Associates in the fall of 2010 to broaden her perspective on the publishing industry. She represents both literary and commercial fiction as well as nonfiction, and brings to the agency experience as a former acquisitions editor, freelance publicist and writer.
Elizabeth’s career in publishing took root in Puerto Rico where she completed her BA in English and worked as a copyeditor for an English-language newspaper. When she returned to the mainland she found her “vein of gold” in book publishing. She thrives on working closely with authors to build their careers.
Elizabeth’s eclectic life experience drives her interests. She appreciates writing that has depth, an introspective voice, and is thematically layered. Having lived in cities such as New York, San Francisco and San Juan, Puerto Rico, she is compelled by multicultural themes and characters and is drawn toward strong settings.
In fiction, she represents literary, commercial, women’s, thrillers, mysteries, historical, and crossover YA. In nonfiction, she is interested in high concept, health, science, environment, prescriptive, investigative, true crime, voice- or adventure-driven memoir, sexuality, spirituality, and animal/pet stories.
She is eager to further build her client list in fiction, both children and adult. She reads widely and enjoys all fiction genres, but is especially seeking bookclub fiction with light speculative elements, female detective stories, whimsical middle-grade, and young adult that explores identity and culture.
She does not represent non-fiction (including memoir), picture books, or self-published novels (although she will consider your next project).
Always a passionate reader, Mary C. Moore made the career change to publishing in her early thirties. She graduated from Mills College, Oakland with a MFA in Creative Writing and English, dabbled in freelance editing and copy-writing, before starting an internship at Kimberley Cameron & Associates. She quickly fell in love with agenting, and dedicated two years as Kimberley’s assistant, before beginning her own client list. Her daughter was born shortly after causing a small hiatus, but she continued part time, making deals with Harper Collins, Penguin Random House, Macmillan and more.
In 2019 she officially began agenting full time, becoming an associate member of the AAR.
In adult fiction she is looking for lyrical prose, stories with unique settings, adventure, international, fantasy/sci-fi or science inspired, magical realism. For children’s, she seeks stories that talk up to kids, that inspire and build confidence with cleverness and humor. Prefers middle grade over YA; no picture books. Nonfiction interests: history, sports, science, environmental, narrative, and a solid author platform. Currently looking for science or adventure/travel narratives in the vein of books such as Shadow of the Silk Road or The Sports Gene.
Williamson Literary is a small but vibrant and actively engaged literary agency in Baltimore, Maryland.
Emily is a native of New Jersey, graduated from American University (BA Anthropology) in 1997 and Johns Hopkins University (MA Writing) in 2012. She began her editing career in 2011 with Chrysalis Editorial* in Washington, DC. In 2016 she founded Williamson Literary, driven by the desire to help great writers achieve their publishing goals.
As a writer, she understands the investment of time and heart it takes to follow this challenging path. It is the core of Williamson Literary—to support the careers of dedicated writers who deserve to see their ideas and imaginings realized. Williamson Literary is also about building relationships: agent-author, agent-publisher, author-publisher.
In the past, Emily spent 13 years as an archaeologist traveling all over the US and abroad in search of many things…sometimes finding nothing. It is this varied, nomadic past that has influenced her own writing and her particular interests as an agent. Emily does other things. She is a painter (see Twitter page). She loves the outdoors, cuts her own firewood, and plays fantasy football. She’s one of those annoying people who can’t eat gluten; she binge-watches Netflix shows; loves to travel; and her preferred clothing season is Autumn.
Em is a queer ex-classicist based in Oakland, CA. She is looking for queer fantasy, sci-fi, and graphic novels for all age ranges. Outside of agenting, she draws comics about queer monsters being friends and travels the globe scoping out stationary stores.
She holds an B.A in Comparative Literature from Occidental College, a publishing certificate from NYU, an MLitt in Ancient Greek Monsters from The University of St Andrews in Scotland, and a handful of college credits from art schools across the US.
She is seeking:
She is looking for genre-blending commercial queer Fiction in YA/MG/Adult/Graphic Novels with a particular focus on BIPOC authors and authors of marginalized identities. She wants:
Rich and subtle world building like Wilder Girls or The Mortal Engine series
Normalized trans and non-binary existence in worldbuilding, like the Tales of the High Court series
Shamelessly manga and fanfic inspired stories like Foxhole Court
Silk punk, Asian attitudes, historical revision that doesn’t think Europe invented the world (Socrates was born after Confucius died! Genghis Khan was a contemporary of King John! Guns were being used in China before the English invented longbows!)
Reworking myth and gods and their influence, like The Sorcerer of the Wildeeps and American Gods
Sexy, dark, magical horror, like the Hexslinger series
Queer romance with high stakes, like Lord of the White Hell
Middle Grade protagonists who cry and fail and try anyways, like How to Train Your Dragon
F/F romance, friendship, and intersectional girl gangs against the world
Ride-or-die friendships and high stakes, like The Raven Cycle
She does NOT want:
Genre fiction that perpetrates the racist, colonial, imperialistic, sexist, ableist tropes of the past
Non-intersectional representation; no victories at the expense of another group
In fiction, she seeks high-concept women’s fiction; high-concept mystery, thriller and horror, romance (contemporary, romantic suspense, cowboys, historical, LGBTQ, paranormal, sweet), comedy / romantic comedy, and young adult (no SF/F). In nonfiction, she is strictly seeking platform and market-based books in the areas of memoir, how to, advice, relationships, health, wellness, politics, current events, history, sports, pop culture, and business.
“Having worked for corporate New York publishing houses, independent and boutique presses, and with self-published authors, I have a well-rounded knowledge of book publishing with a core network of relationships with authors, literary agents, and other publishing professionals. I graduated Cum Laude from Temple University with a Bachelor’s Degree in Journalism and a minor in African American Studies. I have been featured in Publishers Weekly, Forbes, and USA Today, as well as on various author, book conference, and book blogger websites. I am the winner of the 2012 RWA Golden Apple Award for Editor of the Year, the 2017 RWA Golden Apple Award for Agent of the Year, and the 2017 Literary Jewels Award for Editor of the Year. In early 2014, I appeared on CSpan2 where I contributed to a panel discussing the state of book publishing.”
Cassie is accepting submissions for adult fiction and nonfiction. As far as fiction, she is seeking literary fiction, upmarket commercial fiction, short story collections, and literary-speculative work (not high fantasy or science fiction). For nonfiction, she’s interested in representing memoir, essay collections, as well as narrative nonfiction.
Before pivoting into publishing, Cassie Mannes Murray was a high school teacher for six years, and ran an infamous book blog known as Books & Bowel Movements where she worked with several brands, including several publishing houses and indie presses. She holds a B.A. in English and Creative Writing from North Carolina State University, and is working on her MFA at UNCW in creative nonfiction. She currently designs spreads, broadsides, posters, and promotional materials for Ecotone and Lookout Books, and her writing has been supported by the Shannon Morton Fellowship, Ralph Brauer Fellowship, Sundress Academy for the Arts, and Kenyon Writers Workshop. She is working on a book. Her writing can be found in Passages North, Story Quarterly, The Rumpus, Fugue, and Hobart. Her pronouns are she/her.
Because she believes genre categories are for marketing purposes, Cassie would like to work with authors who are difficult to categorize, or are attempting to bridge gaps between multiple genre categories. She wants to work with writers that are passionate about writing, particularly at the sentence level. While she can become invested in a wide-range of books, topics that are always a hit for her include: reckoning with girlhood or coming-of-age in adult narratives, slipstream, strange, or left-of-center fiction (Karen Russell, Kelly Link, Helen Oyeyemi), retellings of obscure fairytales, folklore (particularly from nonwestern traditions), manipulative or unlikeable characters, LGBTQ+ narratives, odd jobs, education, climate science, and anything that centers Southern culture.
Analieze is a graduate from Cal State San Bernardino where she studied English: Creative Writing along with a minor in Screenwriting. She has also worked as an Editorial Freelancer for Independent Authors. She started her career as an intern at a New York Literary Agency and was mentored by Saritza Hernandez. She then joined the Harvey Klinger Literary Agency in 2020.
She currently resides in Southern California with her five dogs.
“As an Agent for The Harvey Klinger Literary Agency. I am looking for character-driven books that grip me from the first page until the very end. I want fantastic world-building, a clear plot, and want to know your main character’s desire by the time I get to page ten. Time shouldn’t exist when I read your manuscript. I want to be hooked and pulled into your world. Great writing is awesome, but your characters matter most to me. I want books that make me cry, laugh, and to feel connected to your main character. For thrillers, I want to be on the edge of my seat and have no clue on how your book is going to end. I want to vouch for your main character and cheer them on by the end of your story. I’m especially open to BIPOC and LGBTQ voices.”
What I’m Looking For:
I am looking to represent Writers for Middle Grade, Young Adult and Adult Fiction and am actively building my list in the following categories:
Contemporary (something really cute, out of the box, character desire that molds the MC)
Mystery (twists & turns, young detective who has a desire to solve the case, something out of the box, cute voice)
Sci-fi (cute voice, a young scientist/inventor on the brink of discovering something that shapes the MC and is meaningful to the MC, think Meet the Robinsons)
Sci-Fi (a Dystopian feel, think Divergent, hacking, neurolinks, AI blend with reality)
Contemporary Romance (think If He Had Been With Me and To All the Boys)
RomCom (a love story that provides comedic elements, meeting in a unique moment/setting)
Mystery (think Riverdale, twists & turns, should not give me any hints)
Paranormal (vampires, werewolves, blend of reality & fiction with a love story) No Zombies.
Crime Fiction (thorough investigation for murders and other cases, strong MC with a desire)
LGBTQ (a love story that progresses over time, no triangles)
Thriller/Suspense (cliffhangers, want to be on the edge of my seat)
Physiological Thriller/Suspense (think Karin Slaughter’s The Good Daughter)
Mystery (twists & turns, want a surprise ending, should not give me hints on who “dun” it)
Contemporary Romance (a love story that conquers all, no love at first sight)
Romantic Suspense (a love story with suspense elements webbed in)
omCom (a love story that provides comedic elements, meeting in a unique moment/setting)
Paranormal (vampires, witches, etc. blend of reality & fiction with a love story) No Zombies.
Sci-Fi (soft sci-fi, blending the two worlds)
Crime Fiction (want to feel connected to the MC and clearly shows MC’s desire to solve a case)
What I’m NOT looking for:
Fantasy (anything Fantasy, might be interested in Magical Realism)
Beth is the owner and Lead Agent at Ladderbird Literary Agency. She has a BA in Literature and a Masters in Business Administration and is always looking for new and exciting ways to bring more diversity into publishing and beyond. Outside of agenting, Beth, teaches writing in her local community with a focus on bringing reluctant writers and readers into the magical world of books. She loves the outdoors and is also a certified lifeguard.
She is seeking:
For added emphasis, in all areas Beth would like to see more works from disabled writers, from LGBTQIA+ writers, from Black, Indigenous, Latinx, Asian, Middle Eastern, and all other groups who do not regularly get to see their stories in print. She would love to see more non-binary representation across categories as well.
Across categories she would love to see more works that show joy in marginalized communities.
Adult nonfiction wants:
Beth is actively seeking narrative nonfiction centering around cultural phenomena, hidden or weird histories, issue-driven books, and books that offer new ways to look at spiritualism, witchcraft and paganism.
She is not a good fit for books on the Judeo-Christian religions.
Adult fiction wants:
Literary Fiction- She is looking for work with exceptional voice and beautiful style, unusual settings, and works that involve clever plots with dynamic characters. She wants to see work that brings to light new perspectives on old ideas. Of particular interest are multi-generational stories that show family dynamics, stories centered around found family or friendship, Currently she is especially interested in seeing works by and about BIPOC communities, especially Latinx and Indigenous writers.
Mainstream/Commercial Fiction- She’d love to see more multicultural Meet-Cutes/RomComs (especially LGBTQ+), Family Drama, stories about friendships of any kind, work that is light and fun, but emotionally poignant.
Mysteries- Would love to more atmospheric mysteries with a twist. It might be an unusual setting, or simply written from BIPOC perspective to give this genre a new voice.
Thrillers- She loves a thriller that really keeps you on the edge of your seat guessing! She’s particularly looking for thrillers set outside of the United States. She does not love thrillers that feature violence towards women as their main plot.
Fantasy- Books that are fast-paced with wonderful (ideally non-European) characters. She’d love to see more dark fantasies based on non-European folklore, especially Latinx (new imaginings of El Cucuy, El Sombrerón, Duendes, etc…)!
Science Fiction- She really wants grounded Sci-Fi with characters that are engrossing, tight plots, and really beautiful voice. She prefers stories set near future, featuring unusual tech, that are not focused around the US. She’s not the best candidate for a space opera or any military Sci-Fi.
Young Adult wants:
Contemporary- She is very actively looking for stories about found family, the difficulties of friendship, LGBTQIA+ Rom Coms, anything that is really poignant and pulls at your heart strings, especially if it is set outside of the U.S.
Mysteries/Thrillers- Stories with high stakes and complex friendships stretched thin. In YA, Mysteries/Thrillers of almost any kind are appealing as long as they are emotionally focused and bring a new point of view. She is not a fan of the unreliable narrators, but is a huge fan of group heists.
Fantasy- Very similar to Adult Fantasy, she prefers dark folkloric tales, but is very glad to have a happy ending! Tales that feature friendships rather than romance as their base and really dig in to the full emotions of that particular love and struggle.
Middle Grade wants:
She’s looking for contemporary stories that have fun, compelling characters dealing with real problems that Middle School kids face: friendship, divorce, gender identity, budding feelings of attraction or a lack of those feelings, feelings of isolation, and found family stories. She’s also interested in Fantasy that explores similar themes. Books she’s loved are: Lalani and the Distant Sea, Wonder, Pet, and Lily and Dunkin
Picture Book wants:
She’s dying to find books with really cute hooks like The Day the Crayons Quit, or nice messaging like Not Quite a Narwhal. She’d love to find a book that brings parents and kids together with language simple enough for a young child to read, but engrossing enough for an adult to enjoy.