Get to Know an Agent in Attendance: Katherine Wessbecher of Bradford Literary Agency

Screen Shot 2020-01-15 at 3.07.23 PM.pngKatherine Wessbecher is a literary agent with Bradford Literary Agency.

Katherine joined Bradford in 2020. Prior to becoming an agent, Katherine edited children’s and young adult books at Putnam, an imprint of Penguin Young Readers, and was the science and technology editor at an academic book review journal. She holds a B.A. in English from the College of William and Mary.

As an editor, Katherine worked with debut and veteran authors, including Sherri L. Smith, Stacey Lee, Keir Graff, Jeff Seymour, and Eliot Sappingfield. She brings to her work a nuanced understanding of the publishing industry and a practiced editorial eye.

Katherine is looking for: children’s books (picture books through YA), upmarket adult fiction, and narrative nonfiction for all ages.

In MG and YA, historical fiction and fantasy have been favorites since she was young. But more than genre, she’s looking for the kinds of stories that transport her: to the past, an imagined world, or a perspective wholly different from her own. She’s drawn to stories that push readers to question their assumptions of the world. She’s interested in humorous voices; she’s also a fan of epistolary novels and other unexpected storytelling techniques, like Amie Kaufman and Jay Kristoff’s Illuminae Files series or Sorcery and Cecelia by Patricia Wrede and Caroline Stevermer.

Her favorite picture books are the kind that make both kids and grown-ups laugh. Inventive premises, twist endings, and quirky characters are all good ways to pique her interest.

Katherine is looking for upmarket adult fiction that straddles the literary and commercial divide. Books that inspire her list run the gamut from Where’d You Go, Bernadette to Yaa Gyasi’s Homegoing. She loves unexpected takes on familiar stories and flawed yet endearing characters. Katherine is actively seeking adult and juvenile narrative nonfiction—particularly projects that highlight stories the history textbooks left out. In the same vein, she’d love to work with nonfiction graphic novel projects like John Hendrix’s The Faithful Spy.

Katherine is not looking for: adult genre fiction (romance, thriller, high fantasy/sci fi), business, poetry, memoirs, or screenplays.

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